![]() Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a 1-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. ![]() Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. ![]() macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15. Like anything with editing, sometimes you just have to play around with things until you hear something you like (or dislike). In this simple but effective tutorial from Josiah Vaughan, he breaks down how to use the Channel Equalizer, then goes over his process for finding and removing unwanted sounds and frequencies. ![]() But, it doesn’t mean the project is doomed. It’s definitely worth checking out.īoost and Smooth Audio in FCPX Often overlooked, audio is crucial to the success of your project. I’ve found more luck in the past using third-party plugins than the native tools offered in the big editing programs. In the example above, he actually uses Pixel Film Studio’s “Stabilizer” plugin. The third route? Use third-party plugins. So, you’ll lose some of the composition, but it’s better than shaky footage. Like any program that offers stabilization, expect FCPX to crop in on your image. The second method is to use the program’s built-in stabilization tool. But, with FCPX’s optical flow, we can see how the tool smooths out the choppiness and stabilizes the shots as best as it can. Now, obviously, if you’re working with footage shot at a frame rate that wasn’t intended to be slowed down, this can lead to some horribly choppy, unprofessional-looking footage. This tutorial from Pixel Film Studio shows you just how easy this tool is to use inside Final Cut.įirst, slow down your footage. This includes both color theory and an eye for what the project needs to look like when it’s all said and done.įinal Cut Pro X features an amazing tool called Match Color. More often than not, however, it falls upon the editor to have a working knowledge of color. Others develop a look with the DP so they can know what they’re shooting. Some productions use professional colorists to fix footage or create the overall look and feel of a film after it’s been shot. Image by Hans Christiansson.Ĭolor correction and color grading ( which are different things) have become a huge part of a video editor’s workflow. Well, let’s talk about what to do, how you can help out the project, and dare I say, fix it in post.Ĭolor Correcting and Color Grading in FCPX As an editor, having a working knowledge of color is essential. One of the worst things you can hear on set is: “We’ll fix it in post.” But, how often does that actually happen where you’re left with a bunch of footage and audio that’s completely unusable. Color, footage stabilization, audio, fixing your project in post can be tricky.
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